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Contents

Essays marked with a microscope icon have been approved for publication by peer review.

  1. Contributors
  2. Letter from the Materia editors
  3. I. Tarocchi Teamwork: An International, Multi-institutional Collaborative Research Project — Francisco H. Trujillo, Federica Pozzi, Beni Culturali, Marie-France Lemay, and Richard R. Hark
  4. II. The Legacy of Carl Peter Thunberg Examined: Analyses of Unique Sources of Information on the Japanese Edo-Period Urushi Craft — Maria Brunskog, and Tetsuo Miyakoshi
  5. III. Medieval Seal Bags Unravelled: An Interdisciplinary Collaboration — Jitske Jasperse, Lucía Pereira Pardo, Ana Cabrera Lafuente, Paul Dryburgh, Elizabeth New, and Ina Vanden Berghe
  6. IV. Making Technical Art History Accessible: Stories from the Summer Teachers Institute in Technical Art History (STITAH) — Hallie G. Meredith, Robert Hamilton, and Andrew Hershberger
  7. V. Materiality of a Vision: Unveiling the Complex Material Makeup of an Early Symbolist Work with Friable Media by Alfred-Napoléon Delaunois (Belgian, 1875-1941) — Marie-Noëlle Grison, Robert G. Erdmann, Hendrik Hameeuw, David Lainé, and Lieve Watteeuw
  8. VI. The Influence of Liberty & Co. in the Dress Reform Movement: The Research and Conservation Treatment of a Rational Dress — César Rodríguez Salinas, Madelief Hohé, and Livio Ferrazza
  9. VII. The Identification of Materials and Processes Used in the Manufacture of Orotone, Hand-Colored Orotone, and Silvertone Photographs — Vanessa M. Johnson, Ivanny Jácome-Valladares, Claire Kenny, and Tami Lasseter Clare
  10. VIII. Voices from the Field: Collaboration in Technical Art History